Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Earworm alert! Originally composed for brass band and presented here in a splendidly idiomatic orchestration by Philip Lane, Malcolm Arnold’s...
Reviewed by Andrew Achenbach in issue: 04/2023
‘The American Project’ is a grand title for a recording of a forgettable new piano concerto by an American conductor-composer,...
Reviewed by Andrew Mellor in issue: 04/2023
Mozart’s most famous quintets conclude a sequence of four instrumental works from the winter and spring of 1786 87 whose...
Reviewed by Richard Wigmore in issue: 04/2023
For their debut recording, the Lantana Trio – Raquel Samayoa (trumpet), Stacie Mickens (horn) and Natalie Mannix (trombone), all faculty...
Reviewed by Andrew Farach-Colton in issue: 04/2023
The music of Craig Madden Morris (b1945 in New York; not to be confused with the Grammy-nominated trumpeter, b1968 in...
Reviewed by Guy Rickards in issue: 04/2023
Christopher Houlihan rightly views the French Romantic symphonic organ tradition as being bookended by Franck’s Grande pièce symphonique and Vierne’s...
Reviewed by Jed Distler in issue: 04/2023
It’s easy to hear why Steven Beck’s staggeringly meticulous interpretations of Charles Wuorinen’s piano works pleased the late composer. He...
Reviewed by Jed Distler in issue: 04/2023
Renée Fleming’s artistic stature hasn’t kept pace with her superstardom – isn’t that so often the case? – and this...
Reviewed by David Patrick Stearns in issue: 03/2023
You might recognise the names of three of the characters listed above from two operas: Lully’s Roland (1685) and Handel’s...
Reviewed by Richard Lawrence in issue: 03/2023
A Boris by Mattheson? Well yes, and in its way perhaps no less political in aspect than Mussorgsky’s. Johann Mattheson...
Reviewed by Lindsay Kemp in issue: 03/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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