Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Reflections ‘on memory, loss and healing’ by composers ‘with strong links to Scotland’ – which perhaps explains the involvement of...
Reviewed by Guy Rickards in issue: 09/2024
Just when you think that the well of new angles on Vivaldi’s Four Seasons has truly run dry, along comes...
Reviewed by Charlotte Gardner in issue: 09/2024
Composed in 1984, the Postludium for piano and orchestra was among the first scores to bring Silvestrov’s name to listeners...
Reviewed by Peter Quantrill in issue: 09/2024
Writing on Nézet-Séguin’s recording, with the Montreal Metropolitan Orchestra, of Mahler’s Tenth Symphony (12/15), David Gutman commented: ‘As followers of...
Reviewed by Guy Rickards in issue: 09/2024
All three works on this inaugural disc in Ludovic Morlot’s complete cycle of Ravel’s orchestral works with the Barcelona Symphony...
Reviewed by Mark Pullinger in issue: 09/2024
Anthony Payne was born in 1936, the same year as Richard Rodney Bennett, and comparisons yield some obvious, deeply rooted...
Reviewed in issue 09/2024
At the age of 24, Tarmo Peltokoski has already secured an impressive number of appointments. He is Music Director of...
Reviewed by Richard Lawrence in issue: 09/2024
This violin-and-orchestra-shaped encounter between one of musical history’s forgotten names and one of its … well, Mozart, represents the launch...
Reviewed by Charlotte Gardner in issue: 09/2024
This pleasing programme highlights the gifts of a rather special musical family, one that recalls the similarly gifted Busch/Serkin, Menuhin...
Reviewed by Rob Cowan in issue: 09/2024
It’s always fascinating to hear an approximation at least of how this music might have sounded in Mahler’s day (as...
Reviewed by Edward Seckerson in issue: 09/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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