Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here’s a marvellously stylish showcase for some eclectic and characteristically communicative repertoire by the seemingly indefatigable Michael Berkeley (76 years...
Reviewed by Andrew Achenbach in issue: 09/2024
Recorded in the Salle Colonne, Paris, in 2021, Aurélien Pontier’s album is ‘an act of homage to the Vienna of...
Reviewed by Jeremy Nicholas in issue: 09/2024
Olga Samaroff and Frank La Forge – two names which I suspect will be unfamiliar to many readers. Almost exact...
Reviewed by Jeremy Nicholas in issue: 09/2024
Pianist Mishka Rushdie Momen covers much of the same ground in this album of keyboard works by the English virginalists...
Reviewed by Philip Kennicott in issue: 09/2024
A disc arrives for review, you see the name of the artist(s), you survey the repertoire and already your critical...
Reviewed by Jeremy Nicholas in issue: 09/2024
Kenneth Hamilton’s writings about Romantic performance practice are always erudite, insightful, vividly expressed and delightfully witty, and this holds true...
Reviewed by Jed Distler in issue: 09/2024
The Italian pianist Andrea Vivanet is smart to mix a representative spectrum of Jan Pieterszoon Sweelinck’s basic compositional forms –...
Reviewed by Philip Kennicott in issue: 09/2024
Well here’s a name that’s probably new to most of us. Le Bret published a single book of harpsichord pieces...
Reviewed by Lindsay Kemp in issue: 09/2024
In 2013 James Brawn launched his ‘Beethoven Odyssey’, a survey of the composer’s 32 piano sonatas that reaches its final...
Reviewed by Jed Distler in issue: 09/2024
The Neave Trio are noted for their eclectic choice of repertoire, and here their broad interests once again illuminate unfamiliar...
Reviewed by Peter J Rabinowitz in issue: 09/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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