Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Cellists are fully warranted in their appropriation, via the art of transcription, of works for other instruments. After all, violinists...
Reviewed by David Threasher in issue: 09/2024
Caroline Shaw’s association with percussion quartet Sō Percussion goes back to their graduate school days at Yale University some 20...
Reviewed by Pwyll ap Siôn in issue: 09/2024
As musical birthday presents go, Schumann’s three string quartets vie with Wagner’s Siegfried Idyll – both were dedicated to the...
Reviewed by Rob Cowan in issue: 09/2024
Swiss composer Hans Huber (1852-1921) – whose output included five operas, eight symphonies (recorded two decades and more ago by...
Reviewed by Guy Rickards in issue: 09/2024
Reviewing Volume 1 of this cycle (5/19), Andrew Mellor welcomed the ‘tight, no-nonsense and considered performances’ by the Nordic Quartet....
Reviewed by Peter Quantrill in issue: 09/2024
No doubt as to the standout item on this latest volume from Chandos devoted to the music of Ruth Gipps...
Reviewed by Andrew Achenbach in issue: 09/2024
The title of Patterns in a Chromatic Field invites a visual analogy to the American school of abstract expressionism that...
Reviewed by Peter Quantrill in issue: 09/2024
To tackle Op 111 first, one of the truly great string quintets, the upper strings’ pulsing semiquavers (cast in 9/8...
Reviewed by Rob Cowan in issue: 09/2024
Just as in his symphonies, Beethoven found a new character, a new mode of expression for each of his piano...
Reviewed by David Threasher in issue: 09/2024
It’s always good to see the music of Ernst von Dohnányi paired with his more celebrated contemporaries. There was more...
Reviewed by Richard Bratby in issue: 09/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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