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Review of MOZART Die Schuldigkeit des ersten Gebots, K35

MOZART Die Schuldigkeit des ersten Gebots, K35

The 11-year-old Mozart had not long returned home from a three-year tour around Europe when he composed Part 1 of...

Reviewed by David Vickers in issue: 10/2013

Review of HANDEL L’Allegro, il Penseroso ed il Moderato, HWV55

HANDEL L’Allegro, il Penseroso ed il Moderato, HWV55

Milton’s pair of poems characterising the polarised opposites of Mirth (‘L’Allegro’) and Melancholy (‘Il Penseroso’) were identified as a subject...

Reviewed by David Vickers in issue: 10/2013

Review of RAVEL Complete Piano Music

RAVEL Complete Piano Music

Few complete cycles of Ravel’s piano music include La valse and La parade. Both feature in François Dumont’s two-disc set;...

Reviewed by Bryce Morrison in issue: 10

Review of CHOPIN Etudes – Op 10; Op 25

CHOPIN Etudes – Op 10; Op 25

When, if ever, have you heard the Chopin Etudes played as pure music, given as naturally as breathing yet recreated...

Reviewed by Bryce Morrison in issue: 10/2013

Review of JS BACH Clavier-Übung III, BWV669-89

JS BACH Clavier-Übung III, BWV669-89

On the title-page to this, the only one of his own publications designated specifically for the organ, Bach dedicates its...

Reviewed by Malcolm Riley in issue: 08/2016

Review of Night Sessions

Night Sessions

The Dowland Project, the experimental ensemble which re-examines the performing and improvising processes inherent in early music, left Dowland behind...

Reviewed by Lindsay Kemp in issue: AW13

Review of Early Birds

Early Birds

From the hyperactive nightingale in Pietro Torri’s opera Ismene at the start to her impatient sister as portrayed by Telemann...

Reviewed by Lindsay Kemp in issue: AW13

Review of ROSSINI Petite Messe solennelle

ROSSINI Petite Messe solennelle

More than 40 years have passed since Wolfgang Sawallisch directed a well-nigh perfect realisation of this most original of Mass...

Reviewed by Richard Osborne in issue: AW13

Review of Sacred Verdi

Sacred Verdi

Four years on from their award-winning recording of the Requiem (EMI, 10/09), Sir Antonio Pappano and his Roman forces have...

Reviewed by Malcolm Riley in issue: AW13

Review of GERSHWIN Rhapsody in Blue RACHMANINOV Piano Concerto No 2

GERSHWIN Rhapsody in Blue RACHMANINOV Piano Concerto No 2

If you’ve got it, flaunt it. And Denis Matsuev has certainly got ‘it’ – whatever that magic, unteachable ingredient is...

Reviewed by Jeremy Nicholas in issue: AW13


 

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