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20th Century Concerto Grosso

Now approaching his 90th year, Sir Neville Marriner is still adding new material to his vast discography in collaboration with...

Reviewed by David Gutman in issue: 01/2014

TURNAGE From the Wreckage. Speranza

These recordings come from Turnage’s brief LSO residency early in 2013 which included the world premiere of a major five-movement...

Reviewed by David Gutman in issue: 01/2014

STRAVINSKY The Rite of Spring STOKOWSKI Bach Transcriptions

Though a devoted fan of Leopold Stokowski for more years than I can remember, the coupling of the names Stokowski...

Reviewed by Rob Cowan in issue: 01/2014

STRAUSS Till Eulenspiegel. Don Quixote. Macbeth

The second volume of Roth’s survey offers two of Strauss’s finest tone-poems and one relative failure. Macbeth was the first...

Reviewed by Ivan March in issue: 01/2014

SHOSTAKOVICH Symphony No 8

It is almost 20 years since I reviewed a Gergiev recording of the work that can come across as Shostakovich’s...

Reviewed by David Gutman in issue: 01/2014

SHOSTAKOVICH Cello Concertos

Mstislav Rostropovich will always rule the roost in ‘his’ concertos (multiple accounts of the First remain in circulation and his...

Reviewed by David Gutman in issue: 01/2014

SCHUMANN Symphonies Nos 1-4

Trevor Harvey in these pages once described Schumann-conducting as ‘a department of conducting all on its own, needing a judgement...

Reviewed by David Threasher in issue: 01/2014

SAINT-SAËNS Violin Concerto No 3. Cello Concerto No 1

You almost imagine that Saint-Saëns had the Capuçon brothers in mind when he considerately added to his repertoire of solo...

Reviewed by Geoffrey Norris in issue: 01/2014

RAVEL Gaspard de la nuit. Le tombeau de Couperin

Volume 1 in Leonard Slatkin’s Ravel series for Naxos deservedly found favour with my colleague Geoffrey Norris back in December...

Reviewed by Andrew Achenbach in issue: 01/2014

PROKOFIEV; STRAVINSKY Violin Concertos

In the last movement of Prokofiev’s Second Violin Concerto, Patricia Kopatchinskaja takes the composer’s ben marcato seriously, using heavy accentuation...

Reviewed by Duncan Druce in issue: 01/2014

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