Online classical concerts & events to enjoy this month (January 2025)
Peter Quantrill explores a range of documentaries and concerts from Sir Antonio Pappano, Daniel...
The sheer orchestral seductiveness – or (according to taste) wearying-ness – of Korngold’s opera must be hard to match on...
Reviewed by Mike Ashman in issue: 01/2014
When Maria Callas sang Medea for the first time at Florence in 1953 (and continued with the role until the...
Reviewed by Mike Ashman in issue: 01/2014
It’s Covent Garden, more than any other company in the world, that deserves the credit for restoring – or, rather,...
Reviewed by Richard Lawrence in issue: 01/2014
Benjamin Hochman’s Avie solo debut frames two fascinating and relatively unfamiliar contemporary Schubert tributes between two frequently recorded Schubert sonatas....
Reviewed by Jed Distler in issue: 01/2014
Peter Dickinson must love his clavichord and its ability to bend pitches, because the music he writes and arranges for...
Reviewed by Jed Distler in issue: 01/2014
Note to self: early contender for Gramophone instrumental record of the year. Why? The recorded piano sound is a real...
Reviewed by Jeremy Nicholas in issue: 01/2014
Alexander Tharaud’s ‘Autographs’ are a series of musical signatures very much ‘as you like it’; a programme to suit all...
Reviewed by Bryce Morrison in issue: 01/2014
It’s Mikhail Pletnev. So there is another view – wrought from an intensely personal response to phrasing and structure; and...
Reviewed by Nalen Anthoni in issue: 01/2014
Wading through the assemblage of quotations and oblique references which constitute the booklet-notes for this latest release in Joseph Nolan’s...
Reviewed by Marc Rochester in issue: 01/2014
Here we have the seventh commercially released recording of Ronald Stevenson’s 1962 Passacaglia on DSCH, based on the four-note D-E...
Reviewed by Jed Distler in issue: 01/2014
Peter Quantrill explores a range of documentaries and concerts from Sir Antonio Pappano, Daniel...
Jed Distler hails a desirable box-set documenting the maestro’s 18-year tenure in Ohio
Jeremy Nicholas browses through two collections of keyboard treasures
Speakers with onboard amplification make plenty of sense if you want high performance without all...
‘This is an altogether absorbing volume, as valuable and enlightening as it is original and...
This flagship player eschews the technology of the company’s other models for a clean sheet...
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