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Review of COUPERIN Les Nations REBEL Les Caracteres de la danse

COUPERIN Les Nations REBEL Les Caracteres de la danse

The superb early-18th-century chamber music of François Couperin and Jean-Féry Rebel – and a number of their French contemporaries –...

Reviewed by Julie Anne Sadie in issue: 04/2014

Review of STRAVINSKY Petrushka BRAHMS 16 Waltzes PIAZZOLLA 4 Tangos

STRAVINSKY Petrushka BRAHMS 16 Waltzes PIAZZOLLA 4 Tangos

Pardon the cliché, but here’s a husband-and-wife piano duo who make beautiful music together. In Stravinsky’s duet reduction of Petrushka,...

Reviewed by Jed Distler in issue: 04/2014

Review of TCHAIKOVSKY Piano Concertos Nos 1 & 2

TCHAIKOVSKY Piano Concertos Nos 1 & 2

The B flat minor Concerto has been recorded so many times that you may justifiably ask if we really need...

Reviewed by Jeremy Nicholas in issue: 04/2014

Review of BOWEN Piano Trio. Clarinet Sonata. Rhapsody Trio

BOWEN Piano Trio. Clarinet Sonata. Rhapsody Trio

The revival in fortune (in the recording studio, at any rate) of the consistently warm-hearted and delectably polished music of...

Reviewed by Andrew Achenbach in issue: 04/2014

Review of HINDEMITH String Trio No 2 BOULANGER 2 Pieces for Piano Trio

HINDEMITH String Trio No 2 BOULANGER 2 Pieces for Piano Trio

I have a confession to make. Hindemith’s music really makes me angry. Not just mildly irritable but full-blown chucking-scores-at-the-speakers annoyed....

Reviewed by Harriet Smith in issue: 04/2014

Review of BIBER Fidicinium sacro-profanum, Sonatas I-XII

BIBER Fidicinium sacro-profanum, Sonatas I-XII

First-class recordings of Biber’s Mystery (Rosary) Sonatas are hardly rarities but there are fewer sets of Fidicinium sacro-profanum (Les Plaisirs...

Reviewed by David Vickers in issue: 04/2014

Review of BERG Lyric Suite SCHOENBERG Verklärte Nacht

BERG Lyric Suite SCHOENBERG Verklärte Nacht

Composers can increase exposure – and income – by promoting orchestral versions of chamber compositions. But orchestras usually employ conductors;...

Reviewed by Arnold Whittall in issue: 04/2014

Review of BEETHOVEN Piano Trios Nos 6 & 7

BEETHOVEN Piano Trios Nos 6 & 7

Nannette Streicher’s new piano was a six-octave godsend for Beethoven. And the next year, 1808, he ran the full gamut...

Reviewed by Nalen Anthoni in issue: 04/2014

Review of ARENSKY Piano Trios

ARENSKY Piano Trios

This is the seventh in Hyperion’s series of Arensky discs, beautifully erasing Rimsky-Korsakov’s write-off (for him, Arensky was doomed to...

Reviewed by Bryce Morrison in issue: 04/2014

Review of Jean-Christophe Spinosi: Miroirs

Jean-Christophe Spinosi: Miroirs

When Jean-Christophe Spinosi backed away from his specialty as a Vivaldi conductor a few years ago, one never envisioned him...

Reviewed by David Patrick Stearns in issue: 04/2014


 

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