Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Fartein Valen began planning a trio in 1912 but only began serious work on it in 1917. Progress, as often...
Reviewed by Guy Rickards in issue: 11/2013
Ophélie Gaillard has always displayed an extraordinary palette of colours and these come alive more than ever on this recording...
Reviewed by Caroline Gill in issue: 11/2013
This is the fifth and final instalment of an interesting series that presents Beethoven’s violin sonatas in the context of...
Reviewed by Duncan Druce in issue: 11/2013
A pleasant enough coupling, though not exactly helped by the somewhat cavernous acoustic of the Böserndorfer-Saal at the Vienna Mozarthaus....
Reviewed by Rob Cowan in issue: 11/2013
Walden is a four-movement wind quintet from 1978, rescored in 1995 to include bass clarinet and alto saxophone rather than...
Reviewed by David Fanning in issue: 11/2013
Leipzig was never especially kind to Brahms. His First Piano Concerto was jeered off the stage there in 1859. Fences...
Reviewed by Richard Osborne in issue: 10/2013
When this production inaugurated Dresden’s takeover of the Berlin Philharmonic’s Salzburg Easter Festival, the critical reaction gave thumbs up to...
Reviewed by Mike Ashman in issue: 10/2013
C Major’s performance and ‘making of’ DVDs are the account of an experimental cut version of the Ring cycle given...
Reviewed by Mike Ashman in issue: 10/2013
This is good. Very good. Acclaim and the Pavel Haas Quartet are familiar bedfellows – after all, they did win...
Reviewed by Harriet Smith in issue: 10/2013
Enescu’s music has been slow to achieve real recognition – at any rate outside his native Romania, though the biennial...
Reviewed by John Warrack in issue: 10/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.