The 50 best Mozart recordings
- Tuesday, January 7, 2025
50 of the finest Mozart recordings in history, featuring Nikolaus Harnoncourt, Martha Argerich and Claudio Abbado, plus extracts from the original Gramophone reviews
50 of the finest Mozart recordings in history, featuring Nikolaus Harnoncourt, Martha Argerich and Claudio Abbado, plus extracts from the original Gramophone reviews
Outstanding recordings of Fauré's greatest works, featuring Marianne Crebassa, Quatuor Ebène, Steven Isserlis, Gérard Souzay and more
Featuring outstanding new recordings of Mozart's Horn Concertos and Piano Concertos, Bach's organ works, Schubert's 'Death and the Maiden' and more
Richard Wigmore explores the music of and biography behind Robert Schumann’s miraculous year of song, 1840
How do a string quartet pursue their dream of the ideal ensemble sound? James Jolly caught up with the Carducci Quartet to learn about how they went about it
The director of ‘Maria’ on the recordings of Callas, and on what makes a great film score
Hattie Butterworth explores the output of a young composer whose style has both admirers and detractors
The pianist on reaching a billion streams, and John Adams’s new concerto
Edward Breen visits the Swiss countryside to witness a recording session of Polish medieval music from the Krasiński Codex, and hears from those who have helped facilitate the project
Editor Martin Cullingford introduces the January 2025 issue of Gramophone
Golijov’s Ainadamar at the Met; Nathalie Joachim’s Had To Be; William Grant Still’s Symphony No 4, Autochthonous
In this month’s introduction to a classical record label, Tim Parry celebrates a company that promotes neglected orchestral music
Conductor Jérémie Rhorer talks to David Patrick Stearns about this challenging masterpiece
Schumann’s sole completed piano concerto remains among his best-loved works. Jed Distler listens to a selection of the prominent pianists who have contributed to the concerto’s substantial discography
Violinist Daniel Pioro and poet Sir Michael Morpurgo tell Mark Seow about their highly personal and deeply felt joint exploration of Vivaldi’s masterpiece
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