The Gramophone Guide to … Audio Housekeeping!
- Friday, January 24, 2025
Modern systems require a lot less fiddling and adjustment to optimise performance than their historic counterparts, but there are a still a few tips to try
Modern systems require a lot less fiddling and adjustment to optimise performance than their historic counterparts, but there are a still a few tips to try
Mark Pullinger and Alexandra Coghlan ponder the classic status of Eugen Jochum’s second recording of Orff’s Carmina Burana, set down in 1967
Tim Parry explores the history and catalogue of a much-admired French label
Editor Martin Cullingford introduces the February issue of Gramophone
Kent Nagano has recorded Brahms’s Ein deutsches Requiem as it was presented at the work’s Bremen premiere on Good Friday 1868, without the yet-to-be-composed fifth movement, but with musical interpolations and vast choral forces. Andrew Farach-Colton finds out more
Ahead of a new memoir, James Jolly speaks to the veteran director Brian Large about how you present concerts and opera for the small screen in a domestic setting
No other work in the repertoire is quite like Chausson’s Concert for violin, piano and string quartet. Charlotte Gardner delves into a rich recording history dating back almost a century
Tully Potter remembers Rudolf Barshai, the brilliant Russian viola player, conductor and arranger – a true Renaissance man – who worked closely with and was a friend of Shostakovich
The founder of Knatchbull, the first all-female tailoring house to have a shop front on Savile Row, on music in her life
To mark Palestrina’s half-millennium, Edward Breen chats with members of Stile Antico, an ensemble championing his works which itself is celebrating its 20th anniversary
Michael Morpurgo and Daniel Pioro on their new collaboration, which re-examines the elemental power of Vivaldi's The Four Seasons
A new edition, a specialist conductor, a leading orchestra and a renowned production team are bringing us Ravel refreshed, enlivened … and complete
Maria Callas embodies the drama, the passion and, ultimately, the tragedy that makes opera what it is
50 of the finest Beethoven recordings available, complete with the original Gramophone reviews, featuring Nikolaus Harnoncourt, Mitsuko Uchida, Murray Perahia, Takács Quartet and more
50 of the finest JS Bach recordings available – complete with the original Gramophone reviews – featuring Glenn Gould, Angela Hewitt, Isabelle Faust, Murray Perahia and more
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