Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
On paper, Vanessa Benelli Mosell’s ‘revolution/evolution’ concept seems provocative enough to draw attention. In reality, the thorny, intricate serial landscapes...
Reviewed by Jed Distler in issue: 08/2015
Entitled ‘Light and Shadows’, Tom Poster’s thoughtful recital is arguably more shadows than light. As his own accompanying note explains,...
Reviewed by Bryce Morrison in issue: 08/2015
In its concise but slow-feeling harmonic journey, Sibelius’s Intrada (1925) sounds almost like a Schenkerian harmonic plotting of a larger,...
Reviewed by Andrew Mellor in issue: 08/2015
What factors determine your admission into the pantheon of great artists? Talent, of course, but also luck – or the...
Reviewed by Jeremy Nicholas in issue: 08/2015
Gerhard Stäbler came to music through the organ and today remains earthed in its history and base acoustic alchemy: an...
Reviewed by Philip Clark in issue: 08/2015
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Reviewed by Jed Distler in issue: 08/2015
Angular or strident sounds are not a part of Christian Blackshaw’s technique. Instead a horizontally even line and lucid touch...
Reviewed by Nalen Anthoni in issue: 08/2015
Here are the two Everests of the organist’s 19th century repertoire with a sonata, placed between them, by the composer...
Reviewed by Jeremy Nicholas in issue: 08/2015
Josef Hofmann was one of the very greatest pianists of the so-called Golden Age. He was also an inventor (when...
Reviewed by Jeremy Nicholas in issue: 08/2015
Dukas’s single Piano Sonata remains among the most formidable peaks of the repertoire, a defiant assault on what is generally...
Reviewed by Bryce Morrison in issue: 08/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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