VIVALDI The Four Seasons. Bassoon Concertos
View record and artist detailsRecord and Artist Details
Composer or Director: Antonio Vivaldi
Genre:
Orchestral
Label: Avie
Magazine Review Date: 10/2015
Media Format: CD or Download
Media Runtime: 74
Mastering:
DDD
Catalogue Number: AV2344
Tracks:
Composition | Artist Credit |
---|---|
(12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione', Movement: No. 1 in E, 'Spring', RV269 |
Antonio Vivaldi, Composer
Adrian Chandler, Director, Violin Antonio Vivaldi, Composer La Serenissima |
(12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione', Movement: No. 2 in G minor, 'Summer', RV315 |
Antonio Vivaldi, Composer
Adrian Chandler, Director, Violin Antonio Vivaldi, Composer La Serenissima |
(12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione', Movement: No. 3 in F, 'Autumn', RV293 |
Antonio Vivaldi, Composer
Adrian Chandler, Director, Violin Antonio Vivaldi, Composer La Serenissima |
(12) Concerti for Violin and Strings, '(Il) cimento dell'armonia e dell'inventione', Movement: No. 4 in F minor, 'Winter', RV297 |
Antonio Vivaldi, Composer
Adrian Chandler, Director, Violin Antonio Vivaldi, Composer La Serenissima |
Concerto For Violin In Tromba Marina, Strings & Continuo |
Antonio Vivaldi, Composer
Adrian Chandler, Director, Violin Antonio Vivaldi, Composer La Serenissima |
Concerto for Bassoon and Strings |
Antonio Vivaldi, Composer
Adrian Chandler, Director Antonio Vivaldi, Composer La Serenissima Peter Whelan, Bassoon |
Concerto for Bassoon and Strings, '(La) notte' |
Antonio Vivaldi, Composer
Adrian Chandler, Director Antonio Vivaldi, Composer La Serenissima Peter Whelan, Bassoon |
Author: William Yeoman
The group’s founder and violinist/director Adrian Chandler is not only steeped in the musical language of Baroque Italy, both vocal and instrumental; he is also fully conversant with its humanist wellsprings. Vivaldi’s sonnets and consequent programmatic signposting throughout the score are thus filtered through a more nuanced rhetorical vision that is more stage than page. The result is an intensely dramatic account that will add new spice to what has for many listeners perhaps come to resemble a dreary domestic relationship. Take, for example, the spacious birdsong, surging waters and thumping rustic dances of ‘Spring’; the languid heat and raging storms finding echoes in the cuckoo’s urgent call and the goldfinch’s stratospheric sweetness in ‘Summer’; the drunkard’s erratic progress mirrored in the hunters’ ebullience and the hunted’s tragic flight in ‘Autumn’; and the elements’ implacable indifference in ‘Winter’.
All – and this also goes for two superb bassoon concertos featuring the outstanding Peter Whelan and the two concertos for the three-stringed violin ‘in tromba marina’ – are realised in vivid colours through the agency not of gimmicky extremes of tempo and overly percussive effects but through an intelligent, imaginative approach to bowing, articulation and ornamentation across the board that both binds and differentiates. Despite having not yet recorded The Four Seasons, Rachel Podger is for my money the only Vivaldian who can challenge Chandler at the moment. Then again, they say geniuses often appear in pairs.
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