Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In all my years of reviewing Feldman performances, I’ve never heard one so catastrophically misconceived as Robert Simpson’s jazz-hands misreading...
Reviewed by Philip Clark in issue: 01/2016
Véronique Gens’s new album is an important issue on several fronts. First and foremost, it is arguably the most...
Reviewed by Tim Ashley in issue: 01/2016
No explanation is offered in the booklet for the belated release of these recordings from the early 1990s and perhaps...
Reviewed by Peter Quantrill in issue: 01/2016
The title of this disc is ‘Motets pour une princesse’. The lady in question was Marie de Lorraine, the Duchesse...
Reviewed by Richard Lawrence in issue: 01/2016
For her third Somm recording, Valerie Tryon turns to France, doubtless recalling her early studies in Paris with Jacques Février....
Reviewed by Bryce Morrison in issue: 01/2016
Mozart’s Concerto for three pianos, K242, was composed in 1776 for the Countess Lodron and her two daughters, and later...
Reviewed by David Threasher in issue: 01/2016
Having recorded the Chopin Etudes aged just 18 (10/13), what could be more natural than the Schumann Concerto at 20?...
Reviewed by Harriet Smith in issue: 01/2016
When it comes to Baroque violin concertos, Vivaldi’s tend to get the lion’s share of the limelight in comparison to...
Reviewed by Charlotte Gardner in issue: 01/2016
This was my first encounter with the music of Karl Weigl (1881-1949). I fear it may also be my last....
Reviewed by Jeremy Nicholas in issue: 01/2016
Hugo Reyne presents this disc very much in terms of his life with Vivaldi’s recorder concertos, from copying a tune...
Reviewed by Lindsay Kemp in issue: 01/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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