Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Interlacing a selection of (mainly) popular Lieder with piano miniatures, Werner Güra and Christoph Berner here create the Beethovenian answer...
Reviewed by Richard Wigmore in issue: AW2015
Ulrich Leisinger’s new scholarly edition of the Mass in B minor is showcased by its publisher Carus with this deluxe...
Reviewed by David Vickers in issue: AW2015
It has been referred to as an imagining of Pictures at an Exhibition for the 21st century, but ‘Objects…’ also...
Reviewed by Richard Whitehouse in issue: AW2015
Lotta Wennäkoski has made it easy for people who want to listen properly to her beautiful music. The three movements...
Reviewed by Andrew Mellor in issue: AW2015
Pride of place on the third volume in Leif Segerstam’s Turku PO series for Naxos of lesser-known Sibelius goes to...
Reviewed by Andrew Achenbach in issue: AW2015
There is a sense here of how long and far Simon Rattle has journeyed with this music – one of...
Reviewed by Edward Seckerson in issue: AW2015
Composers can be wayward judges of their own work. Respighi, it would seem, disliked his Metamorphoseon, commissioned in 1930 by...
Reviewed by Tim Ashley in issue: AW2015
Rachmaninov’s Third Symphony is the shared work in these otherwise dissimilar offerings. Valery Gergiev’s view is dark and stormy, his...
Reviewed by David Gutman in issue: AW2015
‘These are not good times for the [Sibelius] Violin Concerto,’ says conductor Jukka-Pekka Saraste on a video at the probing...
Reviewed by Andrew Mellor in issue: AW2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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