Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is big-band Offenbach on modern instruments dealing freely with both ensemble sizes and editions, no authentic honeymoon. But Chandos’s...
Reviewed by Mike Ashman in issue: 11/2015
This is, finally, the memorial that all of us who were admirers of Steve Martland’s music have been waiting for....
Reviewed by Ivan Moody in issue: 11/2015
The second disc in Christoph Eschenbach’s Hindemith series with the NDR Sinfonieorchester brings together the works that effectively marked the...
Reviewed by Tim Ashley in issue: 11/2015
Having now heard all six of the second set of ‘London’ Symphonies in this series by Bruno Weil, I have...
Reviewed by David Threasher in issue: 11/2015
Rebecca Miller has already proved her credentials at the more angsty end of the 18th-century symphony with her Editor’s Choice...
Reviewed by David Threasher in issue: 11/2015
If you don’t want to know about the scientific plotting behind this music, look away now (skip to the next...
Reviewed by Andrew Mellor in issue: 11/2015
Alice Coote, partnered with exquisite grace and scrupulous care by Mark Elder and the Hallé, gives us a Sea Pictures...
Reviewed by Andrew Achenbach in issue: 11/2015
Sebastian Klinger – first solo cellist of the Bavarian Radio Symphony Orchestra – has already committed several chamber and instrumental...
Reviewed by Hannah Nepil in issue: 11/2015
I’ve lost count of Argerich’s many recordings of the First Chopin Concerto but what remains extraordinary is how each one...
Reviewed by Harriet Smith in issue: 11/2015
From the first, there has been debate over how Brahms’s tragic Fourth Symphony is best performed. The logically minded Hans...
Reviewed by Richard Osborne in issue: 11/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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