Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Four years after their impressive debut release on Orfeo, the twin-sister piano duo Christina and Michelle Naughton begin a relationship...
Reviewed by Jed Distler in issue: 05/2016
Domenico Annibali (c1705-c1779) was employed at the Dresden court opera from 1730 until his retirement in 1764 – but from...
Reviewed by David Vickers in issue: 05/2016
Perhaps still more known as an early music and Lieder singer, Maximilian Schmitt has made a pertinent selection for his...
Reviewed by Mike Ashman in issue: 05/2016
You can rely on Eduard Hanslick to get the wrong end of the stick. ‘Close to the dangerous borderline of...
Reviewed by Richard Bratby in issue: 05/2016
Metastasio’s librettos dominated the opera stages of Europe for most of the 18th century, and one of his most popular...
Reviewed by David Vickers in issue: 05/2016
Up until this month, Handel’s 1736 Arminio was one of a very select club among the composer’s operas – those...
Reviewed by Alexandra Coghlan in issue: 05/2016
Carmen: a tale of passion played out in sultry Seville. Francesca Zambello’s Royal Opera production provides many of the ingredients:...
Reviewed by Mark Pullinger in issue: 05/2016
Barenboim’s long association with, and love for, Elgar has effectively made it part of his musical DNA. He understands its...
Reviewed by Edward Seckerson in issue: 05/2016
Mark Elder presides over a strikingly lissom and cogent account of the mighty Fifth. Not only do the Hallé respond...
Reviewed by Andrew Achenbach in issue: 05/2016
As far as I can see, this is the first appearance of Witold Maliszewski’s music in these pages. Briefly, he...
Reviewed by Jeremy Nicholas in issue: 05/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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