Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This new version of Stravinsky’s morality tale for dancers, actors and musicians was recorded in tandem with a production by...
Reviewed by Tim Ashley in issue: 05/2016
The Quintet is the peak of Schubert’s chamber output and high on any ensemble’s wish-list. The essential recordings range from...
Reviewed by David Threasher in issue: 05/2016
The title of this release and the glowering skyscape on its cover are pure marketing – the piece from which...
Reviewed by Lindsay Kemp in issue: 05/2016
Call me a killjoy, but my pulse rate rarely quickens at the prospect of Mozart’s pre-pubescent music. The three childhood...
Reviewed by Richard Wigmore in issue: 05/2016
The line between poetry and preciousness is a thin one, and I don’t feel the Hagens reliably locate it here....
Reviewed by Richard Wigmore in issue: 05/2016
Beethoven is the obvious and fully acknowledged godparent to David Matthews’s string quartets, and it is to his influence that...
Reviewed by David Fanning in issue: 05/2016
With the exception of some of the big pièces de caractère of Marin Marais, the five suites for bass viol...
Reviewed by Julie Anne Sadie in issue: 05/2016
When, in 2004, John Zorn’s Tzadik label declared its new recording of Morton Feldman’s 1981 cello-and-piano work Patterns in a...
Reviewed by Philip Clark in issue: 05/2016
Who was Rebecca Clarke? You’d be forgiven for asking. Today she’s largely forgotten. In her own opinion her only ‘one...
Reviewed by Hannah Nepil in issue: 05/2016
When Max Bruch’s music was compared unfavourably to Brahms’s, he had his excuse ready: the pram in the hall. ‘I...
Reviewed by Richard Bratby in issue: 05/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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