Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Christmas Oratorio has proved strangely resistant to the theories of recent decades concerning Bach’s performing forces. The only previous...
Reviewed by Lindsay Kemp in issue: 11/2016
There must be others but I have only ever come across one release with these four sets of studies: an...
Reviewed by Jeremy Nicholas in issue: 10/2016
May 1, 2016, will probably go down as a red-letter day in the affairs of Røros, the remote former copper-mining...
Reviewed by Richard Osborne in issue: 10/2016
Nearly 20 years after Ian Bostridge made his recording debut with a delicate, rhapsodic collection of English song (‘The English...
Reviewed by Alexandra Coghlan in issue: 10/2016
Just a year after Hyperion released its Gramophone Award-winning recording of Gurrelieder, here comes another, from another British label. And...
Reviewed by Hugo Shirley in issue: 10/2016
The first thing you notice about this remarkable recording is the unusual warmth and tonal vibrancy of the harpsichord, built...
Reviewed by Jed Distler in issue: 10/2016
Dive straight in with Henri Büsser’s Appassionato. It leaps right out at you, Lawrence Power’s viola sweeping exuberantly upwards over...
Reviewed by Richard Bratby in issue: 10/2016
Another ‘Rach 2’ dropping on to the doormat makes the heart rather sink. Except…the pianist is the wonderfully gifted Alexandre...
Reviewed by Jeremy Nicholas in issue: 10/2016
Mahler once described Chabrier’s España (1883) as ‘the beginning of modern music’. Although that assertion may sound absurd to our...
Reviewed by Andrew Farach-Colton in issue: 10/2016
Over half a century since undertaking the first recording of Die Soldaten, Wergo has done full service to the memory...
Reviewed by Peter Quantrill in issue: 10/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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