RACHMANINOV; PROKOFIEV Cello Sonatas
View record and artist detailsRecord and Artist Details
Composer or Director: Nina Kotova, Sergey Rachmaninov, Pyotr Ilyich Tchaikovsky, Sergey Prokofiev
Genre:
Chamber
Label: Warner Classics
Magazine Review Date: 03/2017
Media Format: CD or Download
Media Runtime: 67
Mastering:
DDD
Catalogue Number: 9029 59246-0
Tracks:
Composition | Artist Credit |
---|---|
Sonata for Cello and Piano |
Sergey Rachmaninov, Composer
Fabio Bidini, Piano Nina Kotova, Composer Sergey Rachmaninov, Composer |
(6) Morceaux, Movement: No. 5, Romance in F |
Pyotr Ilyich Tchaikovsky, Composer
Nina Kotova, Composer Pyotr Ilyich Tchaikovsky, Composer |
(18) Morceaux, Movement: Méditation, D |
Pyotr Ilyich Tchaikovsky, Composer
Nina Kotova, Composer Pyotr Ilyich Tchaikovsky, Composer |
Author: Harriet Smith
Kotova nails the tuning in the opening to the Prokofiev, however (a concern with the otherwise fine Moser reading). But again, though the playing is assured, it isn’t all that characterful. There’s far less sense of the different sound worlds of Rachmaninov and Prokofiev than there is in Moser/Korobeinikov – just sample the way Kotova presents the theme that emerges from the pizzicato in the first movement, which is given more edginess by Moser. In the second movement, Korobeinkov sets off with a subversive glint in his eye, a mood gleefully taken up by Moser, whereas Bidini and Kotova are altogether more elegant. In the finale, Kotova is, like Daniel Müller-Schott (Orfeo), relatively steady, tempo-wise, but the latter reveals a whole world of colour. By way of filler we get two borrowings from Tchaikovsky’s piano music; the Op 51 Romance is merely pretty, while the ravishing Méditation from Op 72 is no more than conventionally rapturous.
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