Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It’s hardly surprising that an Austrian conductor who earlier on in his professional life played in both the Vienna Philharmonic...
Reviewed by Rob Cowan in issue: 04/2017
All but one of the six items on this latest serving of home-grown fare from Rumon Gamba and the BBC...
Reviewed by Andrew Achenbach in issue: 04/2017
In 1988 Mieczysaw Weinberg claimed he started using the term ‘chamber symphony’ because he ‘didn’t want to continue the sequence...
Reviewed by Guy Rickards in issue: 04/2017
It is Erkki-Sven Tüür’s tight control of material and form that frees his notes up to have such impact. The...
Reviewed by Andrew Mellor in issue: 04/2017
First impressions count. The opening orchestral tutti of Tchaikovsky’s Violin Concerto is described Allegro moderato with a metronome marking of...
Reviewed by Mark Pullinger in issue: 04/2017
There seems to be a trend these days for creating new orchestra-only arrangements of music from Strauss’s operas. We’ve just...
Reviewed by Hugo Shirley in issue: 04/2017
Three recordings of the Alpensinfonie have appeared within the past year, with this one from Mariss Jansons following those from...
Reviewed by Hugo Shirley in issue: 04/2017
Plenty of recordings of the Cello Concerto No 1. Plenty of recordings of the Cello Sonata No 2. Single discs...
Reviewed by Jeremy Nicholas in issue: 04/2017
The centrepiece in this collection of recent works by Tarik O’Regan for choir and/or orchestra is A Celestial Map of...
Reviewed by Pwyll ap Siôn in issue: 04/2017
Recordings are coming thick and fast from the Swedish violinist Cecilia Zilliacus and each argues emphatically that strength of tone,...
Reviewed by Andrew Mellor in issue: 04/2016
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.