Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Ignore the feel-good title and the fluffy booklet-note, and what you have here is actually a serious recital from an...
Reviewed by Hugo Shirley in issue: 11/2016
The second instalment of Naxos’s live Hong Kong concert Ring is more compelling than last year’s respectable but careful Das...
Reviewed by Mike Ashman in issue: 11/2016
To see any of Rachmaninov’s three one-act operas staged in the opera house is a rare enough event but to...
Reviewed by Mark Pullinger in issue: 11/2016
Music in England between Purcell’s death and Handel’s arrival 15 years later remains a black hole except to a handful...
Reviewed by David Vickers in issue: 11/2016
Pavol Breslik, the Tamino on the Simon Rattle/Robert Carsen DVD of Die Zauberflöte from Baden-Baden (EuroArts, 12/13) here presents a...
Reviewed by Richard Lawrence in issue: 11/2016
The previous instalments in Theodor Currentzis’s survey of the Mozart-da Ponte operas tended to be enthralling and exasperating by turns....
Reviewed by Hugo Shirley in issue: 11/2016
First performed in Monte Carlo in 1895, La Jacquerie is almost invariably described as Lalo’s last opera, though the bulk...
Reviewed by Tim Ashley in issue: 11/2016
As the curtains part during Glinka’s whiplash Overture to Ruslan and Lyudmila, the Bolshoi audience breaks into applause. Is it...
Reviewed by Mark Pullinger in issue: 11/2016
Only 300 people could fit into Aldeburgh’s tiny Jubilee Hall for the premiere of A Midsummer Night’s Dream in 1960....
Reviewed by Richard Fairman in issue: 11/2016
Wozzeck sees red: the red moon; a bloody knife; flames in the sky. Zurich Opera’s production, directed by Andreas Homoki,...
Reviewed by Neil Fisher in issue: 11/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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