Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Nimbus’s latest George Benjamin disc has no unrecorded works but does make a rounded and absorbing programme. Good to have...
Reviewed by Richard Whitehouse in issue: 07/2017
Pianist Catherine Gordeladze begins her recital promisingly with hard-hitting yet virile readings of two Rameau-Godowsky transcriptions plus two pure, unadulterated...
Reviewed by Jed Distler in issue: 07/2017
A debut recording is a statement of intent, and when the artist in question comes trailing as many accolades as...
Reviewed by Richard Bratby in issue: 07/2017
There are half a dozen encores, or quasi-encores, here that proclaim an outstanding young artist at work – least predictably...
Reviewed by David Fanning in issue: 07/2017
I first encountered the cultivated and masterful pianism of Alberto Reyes on a hard-to-find 1995 Connoisseur Society release devoted to...
Reviewed by Jed Distler in issue: 07/2017
The 14 tracks here are of six titles Rachmaninov recorded for Edison in New York over four days in April...
Reviewed by Jeremy Nicholas in issue: 07/2017
‘Canada, Malaga, Rimini, Brindisi…’ No need to be embarrassed if that entertainingly tongue-twisting Geographical Fugue has, until now, been your...
Reviewed by Richard Bratby in issue: 07/2017
Bringing together two of the most individual pianistic brains around, giving them a copy of a Graf fortepiano and putting...
Reviewed by Harriet Smith in issue: 07/2017
In Ravel’s Gaspard de la nuit, there’s no question that pianist Leticia Gómez-Tagle can navigate the multi-textured thickets of notes...
Reviewed by Jed Distler in issue: 07/2017
This is the third in Tom Winpenny’s Messiaen series for Naxos. Previous discs were recorded at St Alban’s Abbey (La...
Reviewed by Marc Rochester in issue: 07/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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