Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Can it really be that the Ernest Bloch who wrote the Cello Sonata (1897) is the same composer who penned...
Reviewed by Rob Cowan in issue: 07/2017
The Wilkomirski Trio are endorsed by the Wilkomirski Family Foundation, whose mission is to continue the artistic legacy of a...
Reviewed by Richard Bratby in issue: 07/2017
All three composers represented here were active in opera but these scenes and arias were composed as stand-alone works and...
Reviewed by David Threasher in issue: 07/2017
‘Like the aroma of a costly perfume that evaporates and leaves behind it just a hint of elegance’ is how...
Reviewed by Tim Ashley in issue: 07/2017
The Choir of Clare College, Cambridge, directed by Graham Ross, explore music for Corpus Christi through the hymns of Saint...
Reviewed by Edward Breen in issue: 07/2017
‘A symbolic celebration of the 140th anniversary of the birth of Manuel de Falla’ is how Jordi Savall, in a...
Reviewed by Tim Ashley in issue: 07/2017
Brian Eno once argued that experimental composers are by instinct gardeners, who plant musical seeds that evolve into complex systems...
Reviewed by Philip Clark in issue: 07/2017
Celebrations of the 500th anniversary of the Reformation are throwing up some interesting releases, including this curiosity: a world premiere...
Reviewed by Alexandra Coghlan in issue: 07/2017
This is the other, virtually unknown side of Donald Swann, remembered so fondly for his partnership with Michael Flanders. Here...
Reviewed by Jeremy Nicholas in issue: 07/2017
Released 20 years on from his first recording of the cycle, Bo Skovhus’s new Schöne Müllerin could hardly be more...
Reviewed by Hugo Shirley in issue: 07/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.