Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When it was under the leadership of Nikolaus Bachler, the Bavarian State Opera rarely had a season without Jonas Kaufmann,...
Reviewed by Neil Fisher in issue: 12/2023
Egidio Duni (1708‑75) is not a total stranger to the recorded catalogue but he hasn’t been a regular visitor to...
Reviewed by Richard Bratby in issue: 12/2023
A hundred recordings – it’s a milestone worth celebrating, and soprano Carolyn Sampson does it in style with a recital...
Reviewed by Alexandra Coghlan in issue: 12/2023
You have reached a certain status as a singer when you are granted a ‘Christmas With’ album. As far back...
Reviewed by Jeremy Nicholas in issue: 12/2023
This collection comprises a number of Veljo Tormis’s choral pieces, as one might expect, but the central work is the...
Reviewed by Ivan Moody in issue: 12/2023
These are new translations by Jeremy Sams, commissioned by Christopher Glynn for a modern English-speaking audience. They flow naturally with...
Reviewed by Stephen Cera in issue: 12/2023
Top billing on the front cover of this latest BIS release devoted to John Pickard goes to his 2018 Mass...
Reviewed by Andrew Achenbach in issue: 12/2023
Billed as ‘a new sound for Josquin’, Cut Circle have plenty of revolutionary zeal. But don’t let that put you...
Reviewed by Edward Breen in issue: 12/2023
Two Messiahs recorded at the end of last year, and ready for Christmas this. Both, too, were done in large...
Reviewed by Lindsay Kemp in issue: 12/2023
From Schütz, JS Bach and Charpentier onwards, many composers have drawn inspiration from the Christmas narratives contained in the St...
Reviewed by Malcolm Riley in issue: 12/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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