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Review of BERTIN Fausto (Rousset)

BERTIN Fausto (Rousset)

When Fausto was first performed at the Théâtre-Italien in Paris in March 1831, there was much comment in the press,...

Reviewed by Tim Ashley in issue: 02/2024

Review of BRITTEN War Requiem (including rehearsal sequence. Britten)

BRITTEN War Requiem (including rehearsal sequence. Britten)

Britten’s War Requiem touched a trapped nerve in the collective psyche of post-war Britain, commemorating the war dead with both...

Reviewed by Peter Quantrill in issue: 02/2024

Review of Sandrine Piau: Reflet

Sandrine Piau: Reflet

This programme explores pre-war Ravel, Koechlin and Britten that happens to sit in the sweetest spots of Piau’s comfort zone,...

Reviewed by David Patrick Stearns in issue: 02/2024

Review of 'Morning Star’

'Morning Star’

‘Morning Star’ follows where 2019’s ‘Christmas’ (12/19) led – a festive release of a distinctly grown-up sort, this time taking...

Reviewed by Alexandra Coghlan in issue: 02/2024

Review of WAGNER Wesendonck Lieder (Joyce DiDonato)

WAGNER Wesendonck Lieder (Joyce DiDonato)

Joyce DiDonato’s performance of ‘Schmerzen’ from the Wesendonck Lieder formed part of her ‘Eden’ album (3/22), a mixed programme crossing...

Reviewed by Hugo Shirley in issue: 02/2024

Review of TŮMA Motets. Dixit Dominus. Sinfonia (Válek)

TŮMA Motets. Dixit Dominus. Sinfonia (Válek)

Of the composers who spanned the twilight of the Baroque and the dawn of the Classical period in Central Europe,...

Reviewed by David Threasher in issue: 02/2024

Review of SCHÜTZ Schwanengesang (Wilson); Italian Madrigals (Les Arts Florissants / Paul Agnew)

SCHÜTZ Schwanengesang (Wilson); Italian Madrigals (Les Arts Florissants / Paul Agnew)

These collections were created 60 years apart at opposite ends of Schütz’s long and distinguished career. His youthful first published...

Reviewed by David Vickers in issue: 02/2024

Review of SCHUBERT Winterreise (Cyrille Dubois)

SCHUBERT Winterreise (Cyrille Dubois)

After the Gramophone Award-winning success of his superb complete Fauré (Aparté, 8/22), my expectations for this recording by Cyrille Dubois...

Reviewed by Hugo Shirley in issue: 02/2024

Review of SCHUBERT ‘Lieder: Love’s Lasting Power’ (Harriet Burns)

SCHUBERT ‘Lieder: Love’s Lasting Power’ (Harriet Burns)

Harriet Burns and Ian Tindale have emerged as a significant lieder partnership in recent years, though their Schubert album, surprisingly...

Reviewed by Tim Ashley in issue: 02/2024

Review of PÄRT 'Tractus'

PÄRT 'Tractus'

Arvo Pärt’s Newman-inspired Littlemore Tractus sets the tone for this disc both musically and thematically. As Kai Kutman’s notes point...

Reviewed by Ivan Moody in issue: 02/2024


 

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