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FIRSOVA Piano Concerto (Yefim Bronfman)

Elena Firsova’s 18-minute, three-movement Piano Concerto – not to be confused with her Piano Concerto No 1 of 1985, which...

Reviewed by David Fanning in issue: 03/2024

Mer(s): Debussy, Dukas, Cras

The concept behind Mathieu Herzog’s Appassionato would seem to me to be one of chamber music (and the mindset implicit...

Reviewed by Edward Seckerson in issue: 03/2024

BRUCKNER Symphony No 4 (Hindoyan)

Domingo Hindoyan’s interpretation of the Fourth Symphony is well paced, admirably attentive to dynamics and avoids any interpretative eccentricities. Solo...

Reviewed by Christian Hoskins in issue: 03/2024

BRITTEN Violin Concerto (Baiba Skride)

This vividly recorded account of Britten’s 1939 Violin Concerto is uniquely paired with the Double Concerto for violin and viola...

Reviewed by Geraint Lewis in issue: 03/2024

BERKELEY; RAVEL; POUNDS Orchestral Works (Wilson)

Born in London in 1954, Adam Pounds attended the London College of Music before going on to study privately with...

Reviewed by Andrew Achenbach in issue: 03/2024

JANÁČEK Katya Kabanova (Rattle)

This Katya Kabanova forms the second instalment of Simon Rattle’s LSO Live series of Janáček’s major operas, begun in summer...

Reviewed by Tim Ashley in issue: 03/2024

John Holt: Facets Five

John Holt’s eighth recording for Crystal begins with eight pleasant recital pieces before finishing with a chamber music masterwork, Eric...

Reviewed by Laurence Vittes in issue: 03/2024

COPLAND; CRESTON; KAY; PISTON Concertos & Orchestral Suites

The National Orchestral Institute Philharmonic may be an occasional ensemble, tied to annual festivals at the University of Maryland, but...

Reviewed by Guy Rickards in issue: 03/2024

CABANISS Four Elements

Collaborative undertakings for the stage comprise a significant portion of Thomas Cabaniss’s oeuvre – not only operas but dance works...

Reviewed by Thomas May in issue: 03/2024

Shades of Romani Folklore

With so many superb young string quartets active on the music scene, it is heartening to realise that the genre...

Reviewed by Donald Rosenberg in issue: 03/2024

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