Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Schnittke’s Psalms of Repentance constitute one of the most technically challenging works in the entire choral literature (having conducted them...
Reviewed by Ivan Moody in issue: 03/2018
This is really two quite separate discs. One has the 28 voices of the Yale Schola Cantorum, performing unaccompanied in...
Reviewed by David Fallows in issue: 03/2018
Step into the Danieli Palace hotel in Venice and, with a bit of creative imagination, it is possible to commune...
Reviewed by Iain Fenlon in issue: 03/2018
The resurgence of interest in the music of Nikolay Medtner has tended to focus, understandably enough, on his piano works,...
Reviewed by Geoffrey Norris in issue: 03/2018
The catalogue already has a couple of recordings of Mahler’s devastating song-cycle from that most devastating of singers, Brigitte Fassbaender....
Reviewed by Hugo Shirley in issue: 03/2018
In his informative and substantial essay (unusually placed after the libretto in the booklet), Paul Conway describes Maconchy’s ‘dramatic cantata’...
Reviewed by Guy Rickards in issue: 03/2018
The modern reputation of Nicholas Ludford (c1490-1557) was really sealed by the first recordings of The Cardinall’s Musick in the...
Reviewed by Edward Breen in issue: 03/2018
Hyperion’s excellent Debussy song series has evolved over the years from what was originally a stand-alone recital by Christopher Maltman...
Reviewed by Tim Ashley in issue: 03/2018
If you’re unsure whether to listen to a whole French Baroque opera, try the cantata repertoire first. Considered the finest...
Reviewed by Julie Anne Sadie in issue: 03/2018
Commissioned for Coventry’s new cathedral in 1961, Bliss’s cantata The Beatitudes was destined to be overshadowed by Britten’s War Requiem,...
Reviewed by Jeremy Dibble in issue: 03/2018
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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