Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Despite their unmistakable indebtedness to John Field, Chopin’s Nocturnes remain unique in the literature. As a group, they are without parallel...
Reviewed by Patrick Rucker in issue: 10/2017
It is easy to hear why Filippo Gorini should have won the 2015 Telekom Beethoven Competition at the age of...
Reviewed by David Fanning in issue: 10/2017
Fine violins often improve with age. Pianos, on the other hand, as intricate machines with many moving parts, inevitably deteriorate....
Reviewed by Patrick Rucker in issue: 10/2017
Christian Tetzlaff has plenty to tell us about Bach’s unaccompanied violin music. Sample almost anywhere in this beautifully played set...
Reviewed by Rob Cowan in issue: 10/2017
The title is something of a misnomer. José Serebrier and the Concerto Málaga, founded in 1996, offer us not so...
Reviewed by Tim Ashley in issue: 10/2017
Daniil Trifonov’s last release was an impressive and exhilarating two-disc programme of Liszt’s Studies (10/16). It was an Editor’s Choice and...
Reviewed by Jeremy Nicholas in issue: 10/2017
The fifth instalment in Mark Elder’s Vaughan Williams symphony cycle launches with a strikingly lithe, poised and painstakingly prepared reading...
Reviewed by Andrew Achenbach in issue: 10/2017
Three violin concertos – all Polish but all very different in mood – make up this latest release from Tasmin Little. Programmed last...
Reviewed by Mark Pullinger in issue: 10/2017
A tempting prospect: a programme of Richard Strauss played by the Royal Concertgebouw Orchestra and featuring, in the Oboe Concerto,...
Reviewed by Richard Bratby in issue: 10/2017
Philip Sawyers’s Third Symphony (2015) is undoubtedly one of the finest British symphonies of recent years. It was premiered for this...
Reviewed by Guy Rickards in issue: 10/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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