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Review of Nemanja Radulovic: JS Bach

Nemanja Radulovic: JS Bach

Nemanja Radulović is a captivating soloist, and his razor-sharp opening to the final movement of the Concerto in D minor,...

Reviewed by Mark Seow in issue: 12/2024

Review of JS BACH Goldberg Variations arranged for String Orchestra

JS BACH Goldberg Variations arranged for String Orchestra

‘Aria with diverse variations for a harpsichord with two manuals composed for music lovers to refresh their spirits’ was the...

Reviewed by Charlotte Gardner in issue: 12/2024

Review of BRAHMS Cello Sonatas (Alisa Weilerstein)

BRAHMS Cello Sonatas (Alisa Weilerstein)

Now this is my kind of Brahms playing: open-hearted, elastic and generously phrased. Alisa Weilerstein and Inon Barnatan take the...

Reviewed by Andrew Farach-Colton in issue: 12/2024

Review of Trace of Time

Trace of Time

This new recording from the Houston-based Apollo Chamber Players string quartet, which has commissioned over 50 works for a variety...

Reviewed by Laurence Vittes in issue: 12/2024

Review of Ethel String Quartet: Persist

Ethel String Quartet: Persist

The string quartet Ethel have been gleefully persistent in advocating for new music. Their repertoire includes hundreds of new works,...

Reviewed by Donald Rosenberg in issue: 12/2024

Review of LEVERING OceanRiverLake

LEVERING OceanRiverLake

This compilation presents an attractive overview of the scope of Arthur Levering’s creative interests over the past decade and a...

Reviewed by Thomas May in issue: 12/2024

Review of IVES 'The Eye is the First Circle'

IVES 'The Eye is the First Circle'

In 2021 Simone Dinnerstein created a multimedia event commissioned by PEAK Performances at Montclair State University entitled The Eye is...

Reviewed by Jed Distler in issue: 12/2024

Review of JA CARPENTER Complete Ballets

JA CARPENTER Complete Ballets

With their vibrant performances of John Alden Carpenter’s three ballet scores, Gil Rose’s Boston Modern Orchestra Project have captured the...

Reviewed by Laurence Vittes in issue: 12/2024

Review of WAGNER Ring Odyssey (Swensen)

WAGNER Ring Odyssey (Swensen)

However much Wagner’s uncut 18-hour Ring cycle is one of the ultimate epic immersion experiences, even staunch Wagnerites might be...

Reviewed by David Patrick Stearns in issue: 11/2024

Review of VERDI Macbeth (Jordan)

VERDI Macbeth (Jordan)

Verdi’s operas have their share of sorcery but none embraces the supernatural like Macbeth, and few productions push it so...

Reviewed by David Patrick Stearns in issue: 11/2024

 

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