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Review of Mari Samuelsen: Nordic Noir

Mari Samuelsen: Nordic Noir

Mari Samuelsen is joined by her cellist brother Håkon and the Trondheim Soloists for an album which hangs off the...

Reviewed by Andrew Mellor in issue: 11/2017

Review of La flûte norvégienne

La flûte norvégienne

This is as much a celebration of the Norwegian Radio Orchestra’s principal flute chair as it is a snapshot of...

Reviewed by Andrew Mellor in issue: 11/2017

Review of Vladimir Jurowski: 10 Years

Vladimir Jurowski: 10 Years

Unlike many of his colleagues, Vladimir Jurowski has always been a records man. The Russian-born conductor freely admits to Andrew...

Reviewed by Peter Quantrill in issue: 11/2017

Review of WEINER Serenade. Five Divertimentos

WEINER Serenade. Five Divertimentos

I demand to know what Neeme Järvi has for breakfast! At 80 years old, with nearly 500 recordings under his belt, he...

Reviewed by Mark Pullinger in issue: 11/2017

Review of VAUGHAN WILLIAMS Symphony No 7. Concerto for Two Pianos

VAUGHAN WILLIAMS Symphony No 7. Concerto for Two Pianos

Here’s the final instalment in the Vaughan Williams symphony cycle launched so propitiously all those years ago by Richard Hickox...

Reviewed by Andrew Achenbach in issue: 11/2017

Review of VAUGHAN WILLIAMS Symphony No 2, ‘A London Symphony’

VAUGHAN WILLIAMS Symphony No 2, ‘A London Symphony’

Martyn Brabbins masterminds a superbly involving account of Vaughan Williams’s A London Symphony in its first published edition from 1920. Clocking...

Reviewed by Andrew Achenbach in issue: 11/2017

Review of STRAUSS Also sprach Zarathustra MAHLER Totenfeier

STRAUSS Also sprach Zarathustra MAHLER Totenfeier

Those familiar with Vladimir Jurowski’s Strauss from the concert hall will have some idea of what to expect from his...

Reviewed by Hugo Shirley in issue: 11/2017

Review of PROKOFIEV Peter and The Wolf RAWSTHORNE Practical Cats

PROKOFIEV Peter and The Wolf RAWSTHORNE Practical Cats

>Presenter, actor and singer Alexander Armstrong is probably best known to children as the voice of CBBC’s Danger Mouse, and he...

Reviewed by Tim Ashley in issue: 11/2017

Review of MOZART Serenades

MOZART Serenades

An hour spent with Mozart in light-music mode is always an hour well spent, and here we have not one but...

Reviewed by David Threasher in issue: 11/2017

Review of MOZART Violin Concerto No 5. Violin Sonata No 32

MOZART Violin Concerto No 5. Violin Sonata No 32

Noa Wildschut is one to watch – as proclaimed in the last issue of Gramophone, as well as by Anne-Sophie Mutter, who has mentored...

Reviewed by David Threasher in issue: 11/2017

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