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Les Funérailles Royales de Louis XIV

Prolonged exequies for Louis XIV culminated at the abbey of Saint-Denis on October 23, 1715, in a funeral service that...

Reviewed by David Vickers in issue: 04/2018

English Motets

The Gesualdo Six are the latest all-male, one-to-a-part a cappella vocal ensemble to emerge from the English choral scene, and...

Reviewed by Fabrice Fitch in issue: 04/2018

H PRAETORIUS Missa Tulerant Dominum meum

The discography of Hieronymus Praetorius (apparently no relation of the more famous and younger Michael) is small but distinguished, The...

Reviewed by Fabrice Fitch in issue: 04/2018

PITTS Missa Unitatis

As director of Tonus Peregrinus, Antony Pitts’s spiritually imbued sacred settings have evolved hand in hand with his vocal ensemble...

Reviewed by Pwyll ap Siôn in issue: 04/2018

F MARTIN; MACMILLAN Passion & Polyphony

Twenty years ago the Gramophone Recording of the Year was a Hyperion disc by Westminster Cathedral Choir under James O’Donnell....

Reviewed by Marc Rochester in issue: 04/2018

GOUNOD Cantatas and Sacred Music

‘My sole aim’, Gounod wrote of his Conservatoire days in his Mémoires d’un artiste, ‘was the Grand Prix de Rome,...

Reviewed by Tim Ashley in issue: 04/2018

FINN Falsettos

The two parts of William Finn and James Lapine’s brilliant urban opera Falsettos first came together in 1992 when the...

Reviewed by Edward Seckerson in issue: 04/2018

FAURÉ The Complete Songs, Vol 3

Volume 3 of Malcolm Martineau’s Fauré series closes with a performance by William Dazeley of Mirages, Fauré’s penultimate song-cycle, written...

Reviewed by Tim Ashley in issue: 04/2018

DONIZETTI Requiem (Luks)

When Vincenzo Bellini died in 1835 at just 34, Donizetti, four years his junior, was determined to honour his memory....

Reviewed by Hugo Shirley in issue: 04/2018

DEBUSSY Mélodies (Thierry Félix)

Thierry Félix’s Debussy recital was recorded in 1995 but seems largely to have been overlooked on its first release a...

Reviewed by Tim Ashley in issue: 04/2018

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