Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Gilbert didn’t only collaborate with Sullivan, and for many years Alfred Cellier was an indispensable part of the D’Oyly Carte...
Reviewed by Richard Bratby in issue: 08/2018
This is a recording of a hypothetical. What if Leonard Bernstein had rewritten his opera A Quiet Place for a...
Reviewed by Richard Bratby in issue: 08/2018
Terry Gilliam’s production of Benvenuto Cellini was the second of the ex-Python’s shows to open at English National Opera, after...
Reviewed by Hugo Shirley in issue: 08/2018
This isn’t ‘a unique merging of two one-act operas’ as the packaging breathlessly exclaims. It’s a decent staging of Bartók’s...
Reviewed by Andrew Mellor in issue: 08/2018
Forget Nixon in China: Doctor Atomic is arguably John Adams’s finest operatic achievement to date. Dark, disturbing yet powerfully compelling,...
Reviewed by Pwyll ap Siôn in issue: 08/2018
The Boston-based Skylark Vocal Ensemble, who made their UK debut this year in an innovative Good Friday concert at Tenebrae’s...
Reviewed by Laurence Vittes in issue: 08/2018
From the first bars of Daniel Read’s resplendently glorious Windham to the finale, David Dickau’s gently intoxicated If music be...
Reviewed by Laurence Vittes in issue: 08/2018
The Australian-born conductor Reuben Blundell continues to make splendid use of the Edwin A Fleisher Collection of Orchestral Music at...
Reviewed by Donald Rosenberg in issue: 08/2018
Because Nielsen’s Clarinet Concerto is sparsely scored for two bassoons, two horns, snare drum and string section, the music readily...
Reviewed by Jed Distler in issue: 08/2018
Despite its ungenerous playing time, this is an intriguing disc of electroacoustic music. Steven Kemper (b1981) is Assistant Professor of...
Reviewed by Guy Rickards in issue: 08/2018
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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