Seven Words from the Cross
View record and artist detailsRecord and Artist Details
Composer or Director: Traditional, William Billings, Francis Poulenc, Frederick Buckley, Jaakko Mäntyjärvi, John Sheppard, Anna Thorvaldsdóttir, Hugo Distler
Genre:
Orchestral
Label: Sono Luminus
Magazine Review Date: 08/2018
Media Format: CD or Download
Media Runtime: 49
Mastering:
DDD
Catalogue Number: DSL92219
Tracks:
Composition | Artist Credit |
---|---|
Were you there? |
Traditional, Composer
Skylark Vocal Ensemble Traditional, Composer |
When Jesus Wept |
William Billings, Composer
Skylark Vocal Ensemble William Billings, Composer |
New Britain |
Traditional, Composer
Skylark Vocal Ensemble Traditional, Composer |
Wondrous Love |
Traditional, Composer
Skylark Vocal Ensemble Traditional, Composer |
Jordan, ‘There is a land of pure delight’ |
William Billings, Composer
Skylark Vocal Ensemble William Billings, Composer |
Ich wollt, dass ich daheime wär |
Hugo Distler, Composer
Hugo Distler, Composer Skylark Vocal Ensemble |
Break it gently to my mother |
Frederick Buckley, Composer
Frederick Buckley, Composer Skylark Vocal Ensemble |
David’s Lamentation |
William Billings, Composer
Skylark Vocal Ensemble William Billings, Composer |
Vinea mea electa |
Francis Poulenc, Composer
Francis Poulenc, Composer Skylark Vocal Ensemble |
Plymton, ‘In deep distress I oft have cried’ |
William Billings, Composer
Skylark Vocal Ensemble William Billings, Composer |
Þann heilaga kross |
Anna Thorvaldsdóttir, Composer
Anna Thorvaldsdóttir, Composer Skylark Vocal Ensemble |
Death may dissolve (Fantasia on a Hymn by William Billings) |
Jaakko Mäntyjärvi, Composer
Jaakko Mäntyjärvi, Composer Skylark Vocal Ensemble |
Deep River |
Traditional, Composer
Skylark Vocal Ensemble Traditional, Composer |
In manus tuas I |
John Sheppard, Composer
John Sheppard, Composer Skylark Vocal Ensemble |
Just as I am |
Traditional, Composer
Skylark Vocal Ensemble Traditional, Composer |
Author: Laurence Vittes
Alternating eloquent spirituals and angular William Billings hymns along with Hildegard, Hugo Distler and Poulenc, the programme reaches its apogee in 10 minutes of music by the contemporary composers Anna Thorvaldsdóttir and Jaakko Mäntyjärvi, one radiant and the other sturdy, before finishing with more traditional fare including an exquisite performance of John Sheppard’s In manus tuas. Mäntyjärvi’s Death may dissolve, the bolder and more dynamic of the two, is the first recording of a fantasy on a Billings hymn and as a result has a communal New England feel; Thorvaldsdóttir’s powerfully ethereal ann heilaga kross is more personally, painfully heartfelt.
The sheer musical purpose and thrilling skill with which the many solo passages are handled testify to Skylark’s depth; their ensemble work is often stunning. The recording, made at the Church of the Redeemer in Chestnut Hill, outside Boston, accommodates the music’s long lines and spiritual harmonies with ease. Absorbing booklet notes by Skylark’s artistic director Matthew Guard and complete texts are provided.
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