Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Astor Piazzolla formed his first quintet in 1960, adding piano, guitar, violin and double bass to his bandoneón. It disbanded...
Reviewed by Andrew Farach-Colton in issue: 02/2019
Brahms, Schumann …it’s been too easy, over the long years of its relative neglect, to reach for obvious comparisons when...
Reviewed by Richard Bratby in issue: 02/2019
Overshadowed by his symphonies, Panufnik’s string quartets have begun to find favour – this disc by the Apollon Musagète Quartet...
Reviewed by Richard Whitehouse in issue: 02/2019
Recordings of Elisabeth Jacquet de La Guerre’s harpsichord music are not rare; recordings of her chamber music are. Yet in...
Reviewed by Lindsay Kemp in issue: 02/2019
Stephen Waarts paired Schumann and Bartók for his debut recording because, he writes in a booklet note, ‘intense expressivity’ is...
Reviewed by Andrew Farach-Colton in issue: 02/2019
DG’s ‘Recomposed’ series was launched 13 years ago with a disc featuring electropop-style arrangements of classic 19th-century orchestral recordings by...
Reviewed by Pwyll ap Siôn in issue: 02/2019
Revision is the key element in this programme of music by Tom Armstrong (b1968). At its most straightforward, in the...
Reviewed by Guy Rickards in issue: 02/2019
It was surely only a matter of time before Christian Thielemann was invited to conduct the Vienna Philharmonic’s New Year’s...
Reviewed by Richard Bratby in issue: 02/2019
The fragmentary nature of Zimmermann’s pre emptive vocal symphony on Die Soldaten reflects that of his entire artistic outlook –...
Reviewed by Andrew Mellor in issue: 02/2019
Within the limitations of the light music genre, Haydn Wood must be viewed as a composer of efficiency and, at...
Reviewed by Andrew Mellor in issue: 02/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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