Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This release represents the end of an era, and not just the end of Bach Collegium Japan’s long-running series of...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2018
Half of the tracks on this splendid disc are premiere recordings. For his texts the English composer Richard Allain (b1965)...
Reviewed by Malcolm Riley in issue: 10/2018
This year’s disc of highlights from last year’s 31st Husum Festival (2017) showcases nine pianists playing the works of some...
Reviewed by Jeremy Nicholas in issue: 10/2018
Remember Lang Lang’s DG release entitled ‘Memory’ (7/06), mostly centred around repertoire evocative of childhood recollections? Hélène Grimaud’s latest DG...
Reviewed by Jed Distler in issue: 10/2018
Of Liszt’s pupils, the Scottish pianist Frederic Lamond (1868-1948) was survived only by José Vianna da Motta, who died a...
Reviewed by Patrick Rucker in issue: 10/2018
It was surely only a matter of time before the Dutch violinist Lisa Jacobs recorded Paganini, after the assured, personality-rich...
Reviewed by Charlotte Gardner in issue: 10/2018
There are at least three good reasons for investing in this fine recording. First, there is the prospect of hearing...
Reviewed by Jeremy Nicholas in issue: 10/2018
This, incredibly, is the 100th CD of Liszt’s music for solo piano recorded by the indefatigable Leslie Howard for Hyperion....
Reviewed by Jeremy Nicholas in issue: 10/2018
In the 80 years since John Kirkpatrick gave Ives’s Concord Sonata its first complete performance, the music has evolved from...
Reviewed by Jed Distler in issue: 10/2018
For anyone who may have missed it, Poland is assuming a leadership position in the use of historical instruments by...
Reviewed by Patrick Rucker in issue: 10/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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