Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Hot on the heels of Naxos’s release of the ‘1864 version’ of Gounod’s hit opera (A/19), here comes a release...
Reviewed by Hugo Shirley in issue: 11/2019
Having recently welcomed the first interpretation of Les arts florissants to have been recorded for nearly 40 years, within a...
Reviewed by David Vickers in issue: 11/2019
‘In the Brockes Passion Handel comes nearest to challenging Bach, and retires discomfited’, was Winton Dean’s withering verdict in his...
Reviewed by Richard Wigmore in issue: 11/2019
German ballads, with their supernatural 19th-century narratives and less-than-exalted reputation, might seem to be an odd starting point in the...
Reviewed by David Patrick Stearns in issue: 11/2019
If one searches for Zimmermannsche Kaffeehaus online, up comes its location in Katharinenstrasse, Leipzig, the map helpfully annotated with the...
Reviewed by Mark Pullinger in issue: 11/2019
There’s more to Liverpool’s musical identity than Lennon and McCartney. A few years ago the RLPO released a series of...
Reviewed by Richard Bratby in issue: 11/2019
While not an exclusively Russian phenomenon, the choir concerto flourished there during the 18th and early 19th centuries – reaching...
Reviewed by Richard Whitehouse in issue: 11/2019
Each new album in this series has brought epiphanies. Juxtapositions of Verdi with Scelsi, Debussy with Aperghis and Barber with...
Reviewed by Peter Quantrill in issue: 11/2019
As the New Union that was America strove to establish itself towards the end of the 1700s, music had a...
Reviewed by Andrew Mellor in issue: 11/2019
This third instalment in Capella de la Torre’s series of the four elements is every bit as fresh and thoughtful...
Reviewed by Edward Breen in issue: 11/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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