Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Robin Holloway remarked that everything in Tchaikovsky’s work truest to his genius ‘aspires to the condition of ballet’: a perception...
Reviewed by Peter Quantrill in issue: 12/2019
Come for the sex, stay for the music. That would seem to be the implication behind the title of the...
Reviewed by Peter Quantrill in issue: 11/2019
Here’s the recording premiere of a new critical edition of Gershwin’s An American in Paris, and it’s given in two...
Reviewed by Andrew Farach-Colton in issue: 11/2019
El sombrero de tres picos was first performed by Diaghilev’s Ballets Russes at London’s Alhambra Theatre in the summer of...
Reviewed by Tim Ashley in issue: 11/2019
The Gabrieli Consort & Players have been developing ideas about King Arthur (or The British Worthy) for nearly a quarter...
Reviewed by David Vickers in issue: 11/2019
Katherine Jolly is a rather good operatic and recital soprano, teacher – variously at St Louis and Indiana Universities and...
Reviewed by Guy Rickards in issue: 11/2019
On the evidence of their playing on this fascinating disc from Navona, the Sirius Quartet are a fine, adaptable ensemble,...
Reviewed by Guy Rickards in issue: 11/2019
Paul Reale (b1943 in New Jersey) studied at Columbia in the 1960s with Chou Wen chung (with whom he had...
Reviewed by Guy Rickards in issue: 11/2019
In each of Jessica Meyer’s differently configured works from the last five years, knife-edge anticipation opens on to unexpected, often...
Reviewed by Laurence Vittes in issue: 11/2019
In 2016 at Hunter College, New York, the Center for Contemporary Opera staged the world premiere of Jane Eyre, in...
Reviewed by Laurence Vittes in issue: 11/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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