Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Così fan tutte is the most balanced and probing of all Mozart’s operas, formally faultless, musically inspired from start to...
Reviewed in issue 11/1988
Much as one would like to tout the new as the best, there are some older recordings where a very...
Reviewed by Rob Cowan in issue: 05/1995
Ravel's orchestration of Mussorgsky's Pictures at an Exhibition has so much established itself as the standard version (even tending to...
Reviewed by John Warrack in issue: 06/1987
Vladimir Ashkenazy made his integral set of the Mazurkas over a decade. He has always played outstandingly. He does so...
Reviewed in issue
By one of those coincidences surely resulting from a conference held to avoid such clashes, another modern version of Bellini’s...
Reviewed by Mike Ashman in issue: 05/2014
It is worth taking note of the people to whom Rachmaninov dedicated his songs. There are friends and relatives; there...
Reviewed in issue 05/2014
This deserves a place on any collector’s shelf. With Rostropovich directing from the bow, the ASMF sounds a little less...
Reviewed in issue 11/88
Among the many ‘if only…’ fantasies that marry a particular work to a particular artist is Jascha Heifetz performing Bartók’s...
Reviewed by Rob Cowan in issue: 11/11
From the label, based in Venice, California, that has recently produced such classics as Christopher Roberts’s Trios for Deep Voices...
Reviewed by Laurence Vittes in issue: 09/2011
Here, on this richly filled CD, is a positive cornucopia of musical genius. Martha Argerich's 1961 disc remains among the...
Reviewed by Bryce Morrison in issue:
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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