Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It was a good plan to issue all Bach’s multiple keyboard concertos together, but in the outcome it meets with...
Reviewed by Lionel Salter in issue: 5/1998
My reservations about aspects of the playing of the Oradea Philharmonic Orchestra (see above) apply equally here but the same...
Reviewed by Stephen Johnson in issue: 10/1990
A captivating record. To be sure, if you like the Viennese classics to sound suave and demure, it may not...
Reviewed by DuncanDruce in issue: 13/1998
I begin with the unfashionable suggestion that there is still much to be said for having these wonderful works played...
Reviewed in issue 13/1997
Yet another recording of The Planets by an international orchestra and non-British conductor. It always strikes me as odd that...
Reviewed in issue 12/1990
There are novelties and first recordings here, all masterminded by Philip Lane whose sterling service to film composers continues unabated....
Reviewed by Peter Dickinson in issue: 8/2008
George Benjamin’s 36-minute “lyric tale” Into the Little Hill taps into the rich vein of English music theatre stemming from...
Reviewed by Arnold Whittall in issue: 12/2008
This account of the Violin Concerto is noteworthy in several ways. Instead of the familiar Joachim cadenza in the first...
Reviewed by DuncanDruce in issue: 6/2011
The vihuela was a Spanish renaissance speciality, shaped like a guitar and sounding like a lute. A whole hour of...
Reviewed by Lindsay Kemp in issue: 3/1999
Tired of the strains and stresses of her former and extraordinary career, Martha Argerich now takes up annual residence in...
Reviewed by Bryce Morrison in issue: 6/2011
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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