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Peerson Latin Motets

‘Here being heard for the first time since the 17th century’: the phrase is quietly slipped into Richard Rastall’s introductory...

Reviewed by John Steane in issue: 7/2005

Villa-Lobos: Orchestral and Chamber Works

If it were true that the best music inevitably rises to the top and that what sinks into invisibility probably...

Reviewed in issue 11/1987

Bridge Piano Works

The Cezanne painting—L'etang des soeurs a Osny—reproduced on the front of the booklet which accompanies this recording is an appropriate...

Reviewed in issue 9/1991

Guitar Recital

Segovia asked Ponce to write the Variations and Fugue on ''La folia'', in order to erect a 'monument' to Spanish...

Reviewed by John Duarte in issue: 12/1989

Bach Organ Works

One day I shall come across a new recording of Bach organ music which doesn't start with the Toccata and...

Reviewed by Marc Rochester in issue: 10/1994

Dvorák; Elgar Cello Concertos

These new recordings of the Dvorak and Elgar concertos by Maria Kliegel, winner of 1981 Rostropovich cello competition, readily endorse...

Reviewed by mjameson in issue: 9/1992

Berlioz Orchestral Works

The sole appearance until now of the Baltimore Symphony in our catalogues has been on half of a poorly-recorded LP...

Reviewed by Lionel Salter in issue: 12/1988

Bach Well-Tempered Clavier

A new 48 is always an exciting event for me, though with a reviewer's hat on, a daunting one. Davitt...

Reviewed by Nicholas Anderson in issue: 4/1989

Grieg Works for String Orchestra

A mixture of the familiar and the unusual comprises the first disc listed above. Jarvi conducts a beautifully balanced performance...

Reviewed in issue 6/1993

Paganini (24) Caprices

A few months ago I listened with much pleasure to Tanja Becker-Bender’s recording of Paganini’s 24 Caprices, admiring her security,...

Reviewed by DuncanDruce in issue: 12/2009

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