Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
No sooner have we had a new EMI version of the well-tried coupling of the Grieg and Schumann piano concertos...
Reviewed by Edward Greenfield in issue: 3/2004
The second volume in Andreas Staier’s Dussek series (Vol. 1 was reviewed in February 1995) includes two of the last...
Reviewed by Richard Wigmore in issue: 7/1996
Paul van Kempen won a kind of phonographic immortality when he conducted for Kempff in his early 1950s DG Berlin...
Reviewed by Richard Osborne in issue: 3/1994
As recently as the April issue I was reviewing an excellent Naxos recording by the Slovak State Philharmonic Orchestra (Kosice)...
Reviewed by Ivan March in issue: 7/1993
The recitals given by Kathleen Ferrier and Bruno Walter at the Edinburgh Festival of 1952, broadcast and subsequently transfered to...
Reviewed in issue 6/1988
Surprisingly, these two discs have one thing more in common than composer and label. Jonathan Manson, looking for a filler...
Reviewed by Lindsay Kemp in issue: 13/2006
Britten’s five Canticles give a fair summary of his changes in style over the years‚ each distilling the manner of...
Reviewed in issue 13/2002
Who would have thought, 10 years ago, that we would ever be watching DVDs of Vivaldi operas? Here it is...
Reviewed by Lindsay Kemp in issue: 11/2007
Schumann's Requiem only intermittently lives up to the promise of its beautiful dark D flat opening, but it should certainly...
Reviewed by John Warrack in issue: 9/1987
Here is a highly interesting enterprise, for which much credit is due to Supraphon: a record that is its own...
Reviewed by John Warrack in issue: 2/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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