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Review of Puccini Madama Butterfly

Puccini Madama Butterfly

Butterfly was not an obvious role for Tebaldi: girlish charm and vulnerable innocence were not her strong suits; she sometimes...

Reviewed by Michael Oliver in issue: 9/1997

Review of Sauer Suite moderne; (3) Concert Studies; Galop de Concert

Sauer Suite moderne; (3) Concert Studies; Galop de Concert

Volume 6 of Emil von Sauer’s solo piano music continues a unique undertaking and one that includes a first recording...

Reviewed by Bryce Morrison in issue: 13/2003

Review of A. Scarlatti Cantatas

A. Scarlatti Cantatas

The three works by Alessandro Scarlatti performed here all date from the last two decades of the seventeenth century. Diana...

Reviewed by Nicholas Anderson in issue: 9/1990

Review of All' Improvviso

All' Improvviso

L’Arpeggiata’s previous recordings have blended popular or folk-inspired elements with music of the Baroque in striking and imaginative ways. ‘All’Improviso’...

Reviewed by Tess Knighton in issue: 12/2004

Review of Raff Symphonies

Raff Symphonies

In the two most popular of Respighi's Roman suites, Pines and Fountains, Sinopoli seems at first to have a pretty...

Reviewed by Michael Oliver in issue: 9/1993

Review of Rheinberger Complete Organ Works, Vol 1

Rheinberger Complete Organ Works, Vol 1

In the first half of this century Rheinberger’s music was very fashionable amongst British organists, but sadly it finds little...

Reviewed by Christopher Nickol in issue: 11/1999

Review of Boëllman Chamber Works

Boëllman Chamber Works

Boellmann is best remembered as an organist, and especially for the Suite gothique (two movements of which appear in effective...

Reviewed by John Warrack in issue: 2/1998

Review of Jean Cras Orchestral Works

Jean Cras Orchestral Works

It’s easy enough for good composers to fall between the cracks of history, but one who says bluntly ‘Composing full-time...

Reviewed by rnichols in issue: 7/2005

Review of Meeting Point Saxophone Concertos

Meeting Point Saxophone Concertos

McChrystal has an enviably full and warm soprano saxophone tone, and his intonation is as secure as his gift for...

Reviewed by kshadwick in issue: 6/1996

Review of Brahms & Rachmaninov orchestrated Schoenberg & Respighi

Brahms & Rachmaninov orchestrated Schoenberg & Respighi

Oh dear! Only last February I was suggesting that Jarvi on Chandos may have stretched the Brahms Quartet (in Schoenberg's...

Reviewed by John Steane in issue: 8/1991


 

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