Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Butterfly was not an obvious role for Tebaldi: girlish charm and vulnerable innocence were not her strong suits; she sometimes...
Reviewed by Michael Oliver in issue: 9/1997
Volume 6 of Emil von Sauer’s solo piano music continues a unique undertaking and one that includes a first recording...
Reviewed by Bryce Morrison in issue: 13/2003
The three works by Alessandro Scarlatti performed here all date from the last two decades of the seventeenth century. Diana...
Reviewed by Nicholas Anderson in issue: 9/1990
L’Arpeggiata’s previous recordings have blended popular or folk-inspired elements with music of the Baroque in striking and imaginative ways. ‘All’Improviso’...
Reviewed by Tess Knighton in issue: 12/2004
In the two most popular of Respighi's Roman suites, Pines and Fountains, Sinopoli seems at first to have a pretty...
Reviewed by Michael Oliver in issue: 9/1993
In the first half of this century Rheinberger’s music was very fashionable amongst British organists, but sadly it finds little...
Reviewed by Christopher Nickol in issue: 11/1999
Boellmann is best remembered as an organist, and especially for the Suite gothique (two movements of which appear in effective...
Reviewed by John Warrack in issue: 2/1998
It’s easy enough for good composers to fall between the cracks of history, but one who says bluntly ‘Composing full-time...
Reviewed by rnichols in issue: 7/2005
McChrystal has an enviably full and warm soprano saxophone tone, and his intonation is as secure as his gift for...
Reviewed by kshadwick in issue: 6/1996
Oh dear! Only last February I was suggesting that Jarvi on Chandos may have stretched the Brahms Quartet (in Schoenberg's...
Reviewed by John Steane in issue: 8/1991
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.