Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Once a regular part of the repertoire, Fra Diavolo has not been given at Covent Garden since 1896. ''Outrageous'', we...
Reviewed in issue 7/1985
During the 1950s and early 1960s‚ Iannis Xenakis represented an alternative avantgarde‚ with a radical approach to form and texture...
Reviewed in issue 6/2002
Fine songs for singing and (many of them) rare songs to hear. At the centre of the programme is the...
Reviewed by John Steane in issue: 5/2000
The enormous success of the Concierto de Aranjuez has exacted a price, the bypassing of Rodrigo's concertos for other instruments,...
Reviewed by John Duarte in issue: 3/1988
It has long been known that instrumental participation in the performance of polyphony became increasingly important during the course of...
Reviewed by Tess Knighton in issue: 9/1996
This eclectic programme makes a welcome change from recorded recitals devoted to one composer, one genre. Gheorghiu avers, in a...
Reviewed by Alan Blyth in issue: 5/1998
Whether you enjoy these performances is likely to depend on how you feel about Beethoven quartets played by a string...
Reviewed in issue 8/2002
Coming to Davis’s Fourth after the bland anonymity of Boulez’s Seventh (reviewed last month) may have influenced my response, but...
Reviewed in issue 7/1996
Gothic Voices' latest recording of French songs and motets from 1340 to 1440 is as challenging in its title, ''The...
Reviewed by mberry in issue: 3/1992
Maybe because there are so few specifically Spanish flavours in his music‚ Conrado del Campo (18781953) has been virtually ignored...
Reviewed in issue 4/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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