Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This attractive anthology presents a faithful picture of a transitional situation. The Henrician reformation prompted several new departures in English...
Reviewed by Fabrice Fitch in issue: 10/1993
Akademia, a name new to me, has a clean, incisive sound, bright and well-tuned, and is capable of changing received...
Reviewed in issue 9/1994
Harald Saeverud (1897-1992) was primarily an orchestral composer – witness his fine symphonies and concertos (BIS, 8/98, 10/00) – but...
Reviewed by Guy Rickards in issue: 9/2006
Emile Naoumoff is a name new to me and apart from an Orfeo CD of Stravinsky's The Firebird, to the...
Reviewed in issue 10/1988
Those of you familiar with the music of Michael Finnissy, Brian Ferneyhough and James Dillon may well spill your tea...
Reviewed by Philip_Clark in issue: 12/2009
I can’t think of any other modern CD collection of English oboe concertos that I have enjoyed more than this....
Reviewed by Ivan March in issue: 4/2004
Haydn's Trumpet Concerto is fairly well known; but there are not many people who will have heard it on the...
Reviewed by Stanley Sadie in issue: 1/1988
With the flood of new recordings of The Four Seasons showing no sign of abating, these three reissued period-instrument performances...
Reviewed by Lindsay Kemp in issue: 3/2004
Cage's prepared piano music stands to gain dramatically from the technology of digital recording and Compact Disc (his 4'33'' even...
Reviewed in issue 5/1986
I encountered Scotto and Kraus‚ both of them little known‚ a couple of years before these recordings were made. That...
Reviewed in issue 11/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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