Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Another month, another chamber West Side Story. In the December issue of Gramophone I reviewed the Labèque Sisters’ performance of...
Reviewed by Philip_Clark in issue: 1/2012
Hackett was one of the first American singers to make it on the international scene with triumphs at the Metropolitan,...
Reviewed by Alan Blyth in issue: 2/1999
I do find that the heart goes out to this opera. Some of the causes may be suspect. Perhaps it...
Reviewed in issue 9/1994
An important reminder, this, of how and where Hungarian piano music is progressing. Far from keeping within narrow national boundaries,...
Reviewed in issue 6/1993
Prokofiev's Eugene Onegin music was written for an abortive production in 1937, and has since languished. It is not an...
Reviewed by John Warrack in issue: 11/1994
This third volume of Lumbye's complete orchestral works advantageously mixes popular favourites such as Krolls Ballklange and the delectable Concert...
Reviewed by Andrew Lamb in issue: 4/2000
I've been trying to imagine what might have been the planning underlying this rather curious assemblage of items—a work for...
Reviewed by Lionel Salter in issue: 4/1986
As the title of this disc implies, all the pieces contained therein are rather in the same slowish-paced, lyrical vein,...
Reviewed in issue 10/1993
Vivaldi’s Op 3 concertos – four each for one, two and four violins – may not be his most famous,...
Reviewed by Lindsay Kemp in issue: 11/2002
Having allowed a decent interval to elapse since releasing its revelatory recording of Rudolf Kempe’s 1957 Covent Garden Ring cycle...
Reviewed by Arnold Whittall in issue: 7/2010
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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