Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Pierre de La Rue’s stature seems to me to grow with each new recording that appears. These two have much...
Reviewed by Fabrice Fitch in issue: 11/2006
Romeo and Juliet has not fared well of late: Riccardo Muti's version with the Philadelphia Orchestra is brilliantly vivid but...
Reviewed by Robert Layton in issue: 11/1983
An embarras de richesses. Well, not wholly. The performance of the Mozart Piano and Wind Quintet by James Levine and...
Reviewed by Christopher Headington in issue: 8/1987
Robert Dowland’s Musicall Banquet needs no introduction, except to remark on the irresistible challenge it poses for the singer –...
Reviewed by Fabrice Fitch in issue: 11/2008
The mantle of director/soloist sits uncomfortably on Mitsuko Uchida. The assured pianist isn’t the assured mastermind at the helm. Shared...
Reviewed by Nalen Anthoni in issue: 4/2011
The three violinists featured on these two discs were all pupils of Carl Flesch (1873-1944), who also taught Szymon Goldberg,...
Reviewed by rgolding in issue: 10/1992
And there’s not a single arrangement by Stokowski! A good thing, I’d say – especially as Stokowski’s own recordings of...
Reviewed by Rob Cowan in issue: 10/2000
If, as is often said, Moore did for Irish song what Burns did for Scottish, he brought to it (on...
Reviewed in issue 2/1996
All three phases of Lutoslawski are here, with two of his finest orchestral works flanking a ‘transitional’ score whose historical...
Reviewed by Arnold Whittall in issue: 4/1996
Monteverdi’s Fourth Book of Madrigals has had some very distinguished recordings, as befits one of the most influential and controversial...
Reviewed by Fabrice Fitch in issue: 7/2004
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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