Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
An account of the parent sessions for this record was given in ''News & Views'' in April (page 1141). Everything...
Reviewed in issue 7/1984
If hats were worn these days we'd be taking them off, for this really is a splendid achievement. The conception...
Reviewed in issue 9/1990
Good recordings of Vivaldi’s first printed opus are hard to come by. The set lacks the distinctive imprint of what...
Reviewed by Nicholas Anderson in issue: 13/1999
Glorious singing here by one of the great basses of the century. There can never have been a steadier voice,...
Reviewed in issue 12/1992
Here we have another piece of operatic history gleaned from a radio archive, in this case one of several...
Reviewed by Alan Blyth in issue: 3/1994
Listening to these effervescent performances reaffirms an old but trusted adage – that many of the greatest performers were (or...
Reviewed in issue 6/1997
These Intermedii of 1589 are the only complete examples of this genre of courtly entertainment to have found their way...
Reviewed by Fabrice Fitch in issue: 9/2000
The Anglo-French composer Philip Cannon (b.1929) has reached his late-sixties without making a particularly strong impact on the musical scene...
Reviewed by Arnold Whittall in issue: 11/1997
Telemann's intermezzo Pimpinone was first performed in Hamburg in 1725, by which time the composer had been opera director there...
Reviewed by Nicholas Anderson in issue: 1/1992
Here, in all their glory, are Rubinstein’s 1934-35 recordings of Chopin’s six mature Polonaises framed by examples of his early...
Reviewed by Bryce Morrison in issue: 4/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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