Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
With this latest volume of the Lindsay Quartet's Haydn comes a renewed encounter with the circle of response generated by...
Reviewed by hfinch in issue: 3/1991
Singer and song are ideally matched, pianist and piano-part likewise, and the shade of Philip Heseltine, so strangely renamed, should...
Reviewed in issue 1/1995
Eight years after Bernstein recorded and conducted his West Side Story for DG, two new versions are now on the...
Reviewed by Adrian Edwards in issue: 10/1993
Baroque harpsichord makers tried various methods of extending the expressive range of the instrument, one of which was to attempt...
Reviewed by John Duarte in issue: 8/1999
John Coprario, though rarely mentioned in the same breath as his English contemporaries Byrd, Gibbons and Dowland, was a well...
Reviewed by Lindsay Kemp in issue: 13/2009
First of all, hats off to Mike Dutton: these transfers are revelatory. The old favourites leap out of the speakers...
Reviewed in issue 12/1996
When EG reviewed the LP issue he had reservations about both the playing and the recording, and I have to...
Reviewed in issue 3/1987
The masterly Songs of Farewell contain some of Parry’s most achingly personal, deeply moving invention, and Ralph Allwood’s young, exceptionally...
Reviewed by Andrew Achenbach in issue: 10/1998
There seems to me only one really 'bad' way to play Glass and that's to over-play him, press the tension...
Reviewed by Rob Cowan in issue: 5/2000
More than a decade after Leslie Howard seemingly put his comprehensive Liszt cycle to bed, so to speak, the indefatigable...
Reviewed by Jed Distler in issue: 3/2011
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.