Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It was a good idea to group together these works written between 1820 and 1826 and thus belonging to the...
Reviewed by Christopher Headington in issue: 12/1992
Telemann was remarkable not only for the length of his life but, more significantly, for the sheer number, diversity and...
Reviewed by John Duarte in issue: 9/2003
Here are Chopin’s 24 Preludes played on an 1860 Pleyel piano in the concert hall of the Ancien Conservatoire in...
Reviewed by Bryce Morrison in issue: 6/2006
The Spanish Songbook contains some of Wolf's most inspired songs—and a few that are among his weakest. He stretches here...
Reviewed by Alan Blyth in issue: 3/1989
After a brief excursion to the British Isles, the Brabant Ensemble continues its exploration of that hitherto “lost” generation of...
Reviewed by Fabrice Fitch in issue: 11/2009
Two impressive Scarlatti motets feature in the recital by countertenor Ryland Angel. Infirmata, vulnerata and Totus amore languens, both included...
Reviewed by David Vickers in issue: 9/2006
Chopin, more than any other composer, has attracted violinists to make arrangements of his works, and MDG’s compilation is an...
Reviewed by Jeremy Nicholas in issue: 12/2005
Don’t read the booklet note first. It asks of the exuberant 1922 Suite ‘Why all this hatred?’ and describes it...
Reviewed by Michael Oliver in issue: 12/2002
The finale of Peter Maxwell Davies’s Sixth is perhaps the most sheerly beautiful symphonic movement he has yet written: growing...
Reviewed by Michael Oliver in issue: 1/1997
It is immediately obvious from the first few songs that this disc is truly special. Carolyn Sampson's singing is deliciously...
Reviewed by David Vickers in issue: 12/2007
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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