Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It is 60 years since Neville Cardus memorably called Horowitz ''the greatest pianist alive or dead''; and even today, when...
Reviewed by Lionel Salter in issue: 6/1992
I was so much looking forward to re-acquainting myself with these classic performances made when della Casa was in her...
Reviewed by Alan Blyth in issue: 4/1990
No conductor alive today arouses more conflicting responses than Sinopoli. Like most conductors, he is volatile, better at some works...
Reviewed in issue 10/1990
This is the tenth volume in Hyperion's eminently collectable series, ''The English Orpheus'', designed to extend acquaintance with English music...
Reviewed in issue 10/1992
Should knowledge of a creative artist’s personal life and circumstances affect one’s appreciation of their output? Wagner’s virulent anti-Semitism does...
Reviewed by Guy Rickards in issue: 3/2009
The Messa per Rossini was Verdi’s idea. Days after Rossini’s death in November 1868, he proposed to the publisher Ricordi...
Reviewed by Richard Osborne in issue: 3/2007
This new double-album, entitled ''Music From the Court of Salzburg'', contains music by the two most illustrious mid-Baroque composers associated...
Reviewed by Nicholas Anderson in issue: 10/1986
The arrival of a Compact Disc some time after its LP version does give one the opportunity for more consideration...
Reviewed in issue 7/1983
Tippett has let it be known that The Rose Lake will be his last orchestral work, but except in the...
Reviewed in issue 1/1998
The programme embraces Chopin’s Opp 33-38 with the exception of the two Nocturnes, Op 37 (a shame – there was...
Reviewed by Jeremy Nicholas in issue: 12/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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