Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In the three and a half years since RG reviewed the LP version of this, recordings of the K361 Serenade...
Reviewed by Stanley Sadie in issue: 9/1988
This is the third instalment of Auvidis Montaigne’s ongoing survey of the music of Cristobal Halffter (b.1930). Like the second...
Reviewed by Arnold Whittall in issue: 13/1998
Matthew MacFadyen plays the priest newly returned to his native Ireland where, with missionary zeal as the chosen one, he...
Reviewed by Adrian Edwards in issue: 5/2007
In a recent review of music by Rebecca Saunders on this label (10/01)‚ I remarked that her work lends itself...
Reviewed by Fabrice Fitch in issue: 12/2001
The three records in this lavishly-packaged set (designed for the French market with notes in French only) are strikingly contrasted...
Reviewed by Edward Greenfield in issue: 6/1985
Ives's complex scores, diverse forces and unrelated rhythms must constitute a recording engineer's nightmare and this RCA recording of his...
Reviewed in issue 9/1985
The continued neglect by choral societies of Frank Martin’s Golgotha is astonishing. Its music is readily approachable‚ often based on...
Reviewed in issue 9/2001
''Orchestral Songs''—Orchesterlieder—may be a misleading label. These four works, each between 12½ and 16 minutes in length, are more like...
Reviewed by Arnold Whittall in issue: 2/1991
Collins Classics have got their wires seriously crossed regarding the Martinu Sonata. Despite their advertising it as No. 3 and...
Reviewed in issue 12/1991
Ashkenazy's 20-year-old Swedish protege proves worthy of the maestro's patronage. On the evidence of this disc he is a well-balanced...
Reviewed in issue 12/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.